INTRODUCING OUR BOOK OF THE MONTH FOR OCTOBER - THE POSTMISTRESS BY SARAH BLAKE
SynopsisIt is 1940, and bombs fall nightly on London.
In the thick of the chaos is young American radio reporter Frankie Bard. She huddles close to terrified strangers in underground shelters, and later broadcasts stories about survivors in rubble-strewn streets. But for her listeners, the war is far from home.
Listening to Frankie are Iris James, a Cape Cod postmistress, and Emma Fitch, a doctor's wife. Iris hears the winds stirring and knows that soon the letters she delivers will bear messages of hope or tragedy. Emma is desperate for news of London, where her husband is working - she counts the days until his return.
But one night in London the fates of all three women entwine when Frankie finds a letter - a letter she vows to deliver . . .
Product DetailsPaperback: 384 pages
Publisher: Berkley Trade; Reprint edition (February 1, 2011)
Language: English
ISBN-10: 0425238695
ISBN-13: 978-0425238691
Author WebsiteBOOK IS NOW OPEN FOR DISCUSSION 26TH OCTOBER
SPOILERS WILL APPLY
DISCUSSION QUESTIONSThe Postmistress is a tale of three unforgettable women, of lost innocence, of what happens to love when those we cherish leave us. It examines how we tell each other stories—how we bear the fact that that war is going on at the same time as ordinary lives continue -
Much of The Postmistress is centered on Frankie’s radio broadcasts—either Frankie broadcasting them, or the other characters listening to them. How do you think the experience of listening to the news via radio in the 1940s differs from our experience of getting news from the television or the internet?
Seek Truth. Report it. Minimize Harm. That is the journalist’s code. And it haunts Frankie during the book. Why wasn’t Frankie able to deliver the letter or tell Emma about meeting Will? For someone whose job was to deliver the news, did she fail?
Why do you think Maggie’s death compels Will to leave for England?
“Get in. Get the story. Get out.” That is Murrow’s charge to Frankie. Does The Postmistress make youquestion whether it’s possible to ever really get the whole story?
After Thomas tells his story of escape, the old woman in the train compartment says “There was God looking out for you at every turn.” Thomas disagrees. “People looked out. Not God.” He adds, “There is no God. Only us.”
How doesThe Postmistress raise the questions of faith in wartime? How does this connect to the decisions Iris and Frankie make with regard to Emma?
In the funk hole, Will says that “everything adds up”, but Frankie disagrees, saying that life is a series of “random, incomprehensible accidents”. Which philosophy do you believe? Which theory does The Postmistress make a better case for?
When Thomas is killed, Frankie imagines his parents sitting miles away, not knowing what has happened to their son and realizes there is no way for her to tell them. Today it is rare that news can’t be delivered. In this age of news 24/7, are we better off?
If you were Iris, would you have delivered the letter? Why or why not? Was she wrong not to deliver it? What good, if any, grew up in the gap of time Emma didn’t know the news? What was taken from Emma in not knowing immediately what happened?
The novel deals with the last summer of innocence for the United States before it was drawn into WWII and before the United States was attacked. Do you see any modern-day parallels? And if so, what?
When Frankie returns to America, she finds it impossible to grasp that people are calmly going about their lives while war rages in Europe. What part does complacency play in The Postmistress?
Please don't feel that you have to answer any or all of the questions - your opinion is what matters most.
Look forward to reading your thoughts on this book
